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ZHOU Shan-ping, LI Lin-sen. A Study on the Theoretical Basis of Painted Clay Figure Zhang[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(6): 30-32. DOI: 10.3969/j.issn.1671-9247.2019.06.010
Citation: ZHOU Shan-ping, LI Lin-sen. A Study on the Theoretical Basis of Painted Clay Figure Zhang[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(6): 30-32. DOI: 10.3969/j.issn.1671-9247.2019.06.010

A Study on the Theoretical Basis of Painted Clay Figure Zhang

  • Painted sculpture is not only a popular folk art in China, but also a unique formative art with a long history and rich cultural heritage. The painting theory of “six methods” and vivid depiction play an important role in the creation of painted clay figure Zhang. Being vivid is the soul of painted sculpture so that vividness should be taken as the main line to guide the creation of painted sculpture.
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