YANG Chao. An Aesthetic Study of “Poetic Lines” in Avant-garde Drama[J]. Journal of Anhui University of Technology（Social Sciences）, 2019, 36(1): 35-37. DOI: 10.3969/j.issn.1671-9247.2019.01.011
Citation:
YANG Chao. An Aesthetic Study of “Poetic Lines” in Avant-garde Drama[J]. Journal of Anhui University of Technology（Social Sciences）, 2019, 36(1): 35-37. DOI: 10.3969/j.issn.1671-9247.2019.01.011
YANG Chao. An Aesthetic Study of “Poetic Lines” in Avant-garde Drama[J]. Journal of Anhui University of Technology（Social Sciences）, 2019, 36(1): 35-37. DOI: 10.3969/j.issn.1671-9247.2019.01.011
Citation:
YANG Chao. An Aesthetic Study of “Poetic Lines” in Avant-garde Drama[J]. Journal of Anhui University of Technology（Social Sciences）, 2019, 36(1): 35-37. DOI: 10.3969/j.issn.1671-9247.2019.01.011
An Aesthetic Study of “Poetic Lines” in Avant-garde Drama
The aesthetic thought of Chinese traditional opera lies in "feeling" and "poetic realism" focuses on "thinking". The creation of avant-garde drama absorbs the aesthetic characteristics of both and melts the feelings into works. In "traditional opera", the aesthetic thought expresses one's feelings and one's will, while in "poetic realism", the aesthetic thought seeks knowledge through speculation.
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