Abstract: Taking landscape painting, a special phenomenon in Chinese painting as the object of study, Deng Yizhe revealed that the view of nature in Chinese painting is based on the observation of the small from the big, and the viewing of things from the mind, and clarified that the ideal of painting lies in the absolute realm of Inner Self. Chinese landscape painting has also undergone a color change from Drawing Color Adhere to the Type to color landscape and then to ink landscape, and from the perspective of color, the flow of the view of nature in different periods is obviously a channel that is easier to approach Deng Yizhe’s painting concept.