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刘熙载《艺概》艺术本体论范畴“道”之渊源辨析

Analysis of the Origins of the “Dao” in the Ontological Category of Art in Liu Xizai's Essentials of Art

  • 摘要: 刘熙载作为晚清著名学者与杰出的文艺理论家,其美学思想在中国古典美学史上占有重要地位。刘熙载美学本体论的核心范畴“道”因吸收了历史上不同流派的思想,引发了学术界的广泛讨论。刘熙载通过对儒家“仁义之道”、道家“自然之道”以及佛禅文化的深入挖掘与整合,同时吸收《周易》哲学思想精华而形成了他独具特色的美学本体论,实现了对“道”范畴的深刻洞察与完美总结。刘熙载的美学本体论“道”范畴以其深厚的文化底蕴、多元的思想融合以及严密的逻辑建构丰富了中国古典美学思想,也为后世的理论研究与艺术创作提供了重要启示。

     

    Abstract: As a famous scholar and outstanding literary theorist in the late Qing Dynasty, Liu Xizai’s aesthetic ideas occupy an important position in the history of classical Chinese aesthetics. The core category of Liu Xizai’s aesthetic ontology, “Dao” has sparked extensive discussions in the academic community due to its absorption of ideas from different schools of thought throughout history. Liu Xizai formed his unique aesthetic ontology through in-depth excavation and integration of the Confucian “benevolence and righteousness”, Taoist “nature” and Buddhist and Zen culture, and meanwhile absorbed the essence of the philosophy of the Book of Changes, realizing a profound insight and perfect summary of the category of “Tao”. Liu Xizai’s aesthetic ontology of the “Dao” category has enriched Chinese classical aesthetic thought with its profound cultural heritage, diverse ideological integration, and rigorous logical construction, and has also provided important inspiration for future theoretical research and artistic creation.

     

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