高级检索

类型化视角下虚拟数字人表演的著作权法规制研究

Research on Copyright Law Regulation of Virtual Digital Human Performances from a Typological Perspective

  • 摘要: 在人工智能与虚拟现实技术深度融合的背景下,虚拟数字人表演作为复合型创作形态,已在直播电商、影视制作等领域彰显重要经济与文化价值。然而,现行《著作权法》在虚拟数字人表演的权利主体认定、可版权性判断及多主体侵权责任划分上存在规则缺位,难以适应技术发展需求。为此,本文基于类型化视角,构建以“贡献度”为核心的权利归属规则,确立分类型创造性审查与合法性预控机制,设计“过错与控制力”相匹配的责任分配路径,为虚拟数字人表演的著作权规制提供精细化、体系化方案,推动产业健康发展与法律规制的良性互动。

     

    Abstract: In the context of deep integration of artificial intelligence and virtual reality technologies, virtual digital human performance, as a composite creative form, has demonstrated significant economic and cultural value in fields such as livestream e-commerce and film production. However, the current Copyright Law has rule vacancies in identifying right holders, determining copyrightability, and allocating liability among multiple actors in virtual digital human performances, making it difficult to adapt to technological development needs. Therefore, based on a typological approach, this paper constructs a copyright ownership rule centered on "contribution degree" establishes a classified creativity review and legality pre-control mechanism, and designs a liability allocation path matching "fault with control power". This provides a refined and systematic solution for copyright regulation of virtual digital human performances, promoting healthy industry development and positive interaction with legal regulation.

     

/

返回文章
返回