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陈小克. 浅析中国文人画的“气韵生动”[J]. 安徽工业大学学报社会科学版, 2017, 34(2): 53-55. DOI: 10.3969/j.issn.1671-9247.2017.02.015
引用本文: 陈小克. 浅析中国文人画的“气韵生动”[J]. 安徽工业大学学报社会科学版, 2017, 34(2): 53-55. DOI: 10.3969/j.issn.1671-9247.2017.02.015
CHEN Xiao-ke. On Chinese Literati Painting's “Lively Spirit and Charm Style”[J]. Journal of Anhui University of Technology(Social Sciences), 2017, 34(2): 53-55. DOI: 10.3969/j.issn.1671-9247.2017.02.015
Citation: CHEN Xiao-ke. On Chinese Literati Painting's “Lively Spirit and Charm Style”[J]. Journal of Anhui University of Technology(Social Sciences), 2017, 34(2): 53-55. DOI: 10.3969/j.issn.1671-9247.2017.02.015

浅析中国文人画的“气韵生动”

On Chinese Literati Painting's “Lively Spirit and Charm Style”

  • 摘要: 南齐谢赫在《古画评录》中提出了"六法论"冠其首位的便是"气韵生动",它对中国绘画的历史产生了极其深远的影响。"气韵生动"的绘画艺术理念,经过唐代文人画家、宋代文人画家、元代文人士大夫画家和明清画坛的传承与发展,成为指导中国绘画笔墨技法表现的理论基础,也是人们评价和鉴赏中国画价值的重要标准。

     

    Abstract: South Qi Sheikh put forward the theory of six principles of paintingin Review of Ancient Paintings, among which "lively spirit and charm style" is of first concern and has far-reaching significance in Chinese painting history. The concept of "lively spirit and charm style", through the inheritance and development of artists in Tang, Song, Yuan, Ming and Qing Dynasties, became the theoretical foundation for instructing Chinese painting techniques and an important criterion for people to evaluate and appreciate paintings.

     

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