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尹珺. 地域视角下的李唐绘画风格转变研究[J]. 安徽工业大学学报社会科学版, 2017, 34(3): 43-45. DOI: 10.3969/j.issn.1671-9247.2017.03.012
引用本文: 尹珺. 地域视角下的李唐绘画风格转变研究[J]. 安徽工业大学学报社会科学版, 2017, 34(3): 43-45. DOI: 10.3969/j.issn.1671-9247.2017.03.012
YIN Jun. Research on the Evolution of Li Tang's Style from Geographical Perspective[J]. Journal of Anhui University of Technology(Social Sciences), 2017, 34(3): 43-45. DOI: 10.3969/j.issn.1671-9247.2017.03.012
Citation: YIN Jun. Research on the Evolution of Li Tang's Style from Geographical Perspective[J]. Journal of Anhui University of Technology(Social Sciences), 2017, 34(3): 43-45. DOI: 10.3969/j.issn.1671-9247.2017.03.012

地域视角下的李唐绘画风格转变研究

Research on the Evolution of Li Tang's Style from Geographical Perspective

  • 摘要: 李唐不同时期绘画作品与其生活的地域有着较大关系。其早期生活在太行山地区,作品笔法刚健有力,轮廓线条方直、棱角分明,尖锐而浑厚,线条用极富弹性的中锋勾勒而成;南渡临安之后,李唐开始接触清新精致的江南山水,运用"平远法"的构图方式表达身处的南方风景。

     

    Abstract: Li Tang's painting works in different times related greatly with the areas where he lived. He lived in the Song Dynasty, inherited the style of being grand and magnificent in the Northern Song Dynasty, then, he created a style of being fresh and graceful in the Southern Song Dynasty, and finally, he liberated the style of pen and ink with deep atmosphere from the Northern Song Dynasty. He created a new attitude of academy landscape painting in the Southern Song Dynasty, which reduced the lines, emphasized and founder the use of new ink culture.

     

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