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李振华. 《月亮和六便士》中的女性形象[J]. 安徽工业大学学报社会科学版, 2018, 35(2): 48-49. DOI: 10.3969/j.issn.1671-9247.2018.02.013
引用本文: 李振华. 《月亮和六便士》中的女性形象[J]. 安徽工业大学学报社会科学版, 2018, 35(2): 48-49. DOI: 10.3969/j.issn.1671-9247.2018.02.013
LI Zhen-hua. The Images of Women in The Moon and Sixpence[J]. Journal of Anhui University of Technology(Social Sciences), 2018, 35(2): 48-49. DOI: 10.3969/j.issn.1671-9247.2018.02.013
Citation: LI Zhen-hua. The Images of Women in The Moon and Sixpence[J]. Journal of Anhui University of Technology(Social Sciences), 2018, 35(2): 48-49. DOI: 10.3969/j.issn.1671-9247.2018.02.013

《月亮和六便士》中的女性形象

The Images of Women in The Moon and Sixpence

  • 摘要: 毛姆的《月亮和六便士》刻画了斯特克里兰的一生,并着重描写了三个与之相关的女性形象:虚伪市侩的小市民形象阿美,放荡不羁的妖妇形象布兰奇与毫无存在感的女仆形象爱塔。从女性主义视角看,该作品揭露了隐含在文学中的对女性的偏见,以及父权社会对女性的排挤和蔑视。

     

    Abstract: The Moon and Sixpence, written by Maugham, depicts the life of Stryland and focuses on three female images related to it:Amy, the image of a small citizen in a hypocritical city; Blanche, the image of a wicked woman, and Aita, the image of a maid without a sense of existence. From a feminist perspective, the novel reveals the prejudice against women implicit in literature, and the exclusion and contempt of women in practical society.

     

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