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陈润. 美国后现代主义诗歌中的“破格”[J]. 安徽工业大学学报社会科学版, 2019, 36(2): 63-65. DOI: 10.3969/j.issn.1671-9247.2019.02.020
引用本文: 陈润. 美国后现代主义诗歌中的“破格”[J]. 安徽工业大学学报社会科学版, 2019, 36(2): 63-65. DOI: 10.3969/j.issn.1671-9247.2019.02.020
CHEN Run. Poetic Licence in American Postmodernist Poetry[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(2): 63-65. DOI: 10.3969/j.issn.1671-9247.2019.02.020
Citation: CHEN Run. Poetic Licence in American Postmodernist Poetry[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(2): 63-65. DOI: 10.3969/j.issn.1671-9247.2019.02.020

美国后现代主义诗歌中的“破格”

Poetic Licence in American Postmodernist Poetry

  • 摘要: 20世纪50年代以来,美国后现代主义诗歌在新的历史环境下发生流变,在对以往诗歌的"破格"过程中形成特有的艺术风格和特征。诗歌的表现形式趋向于口语化、零散化,不强求思想的深度。但是不能忽略的是,后现代主义诗歌和以往诗歌中存在着某种联系,即戴维·珀金斯(David Perkins)所认为的螺旋式循环往复发展的关系。

     

    Abstract: Since the 1950s, American postmodernist poetry has undergone changes in the new historical environment, forming its unique artistic style and characteristics in the process of breaking through poetry in the past. The manifestation of poetry tends to be colloquial and scattered, and does not insist on the depth of thought. However, it can not be ignored that there is a certain relationship between postmodernist poetry and previous poetry, that is, the relationship of spiral circulation and recurrence as David Perkins thinks.

     

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