高级检索
马幼梅, 张戈. 当涂“三圣傩舞”面具艺术研究[J]. 安徽工业大学学报社会科学版, 2019, 36(6): 40-41. DOI: 10.3969/j.issn.1671-9247.2019.06.013
引用本文: 马幼梅, 张戈. 当涂“三圣傩舞”面具艺术研究[J]. 安徽工业大学学报社会科学版, 2019, 36(6): 40-41. DOI: 10.3969/j.issn.1671-9247.2019.06.013
MA You-mei, ZHANG Ge. A Study on the Mask Art of “Three Saints Nuo Dance” in Dangtu County[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(6): 40-41. DOI: 10.3969/j.issn.1671-9247.2019.06.013
Citation: MA You-mei, ZHANG Ge. A Study on the Mask Art of “Three Saints Nuo Dance” in Dangtu County[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(6): 40-41. DOI: 10.3969/j.issn.1671-9247.2019.06.013

当涂“三圣傩舞”面具艺术研究

A Study on the Mask Art of “Three Saints Nuo Dance” in Dangtu County

  • 摘要: “三圣傩舞”面具是当涂傩文化不可缺少的载体。“三圣傩舞”面具运用了典型化的造型手法,线条夸张有力、轮廓分明,色彩运用较为讲究比较成熟,具有强烈的装饰性、寓意性、审美性。三尊神像栩栩如生、形神兼备,历经千年流传至今,是安徽傩面具中不可多得的精品,反映了当地民俗文化的地域特点,是当地民俗文化、艺术文化的融合体,它不仅具有社会功能同时也具有较强的审美功能。

     

    Abstract: The mask of “three saints Nuo dance” is an indispensable carrier of DangtuNuo culture. Typical modeling techniques are adopted in the mask, with exaggerated and powerful lines and clear outlines. In addition, the application of its color pay more attention to maturity, which has strong decorative, moral and aesthetic features. With both form and spirit, the three statues are lifelike and have been handed down for thousands of years. They are rare fine products in Anhui Nuo masks, which reflect the regional characteristics of local folk culture and is also the integration of local folk culture and art culture. The masks have not only social function but also strong aesthetic function.

     

/

返回文章
返回