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杨帆. 美术史研究中的风格学初探[J]. 安徽工业大学学报社会科学版, 2019, 36(6): 44-45. DOI: 10.3969/j.issn.1671-9247.2019.06.015
引用本文: 杨帆. 美术史研究中的风格学初探[J]. 安徽工业大学学报社会科学版, 2019, 36(6): 44-45. DOI: 10.3969/j.issn.1671-9247.2019.06.015
YANG Fan. A Primary Exploration on the Stylistics in the Study of Art History[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(6): 44-45. DOI: 10.3969/j.issn.1671-9247.2019.06.015
Citation: YANG Fan. A Primary Exploration on the Stylistics in the Study of Art History[J]. Journal of Anhui University of Technology(Social Sciences), 2019, 36(6): 44-45. DOI: 10.3969/j.issn.1671-9247.2019.06.015

美术史研究中的风格学初探

A Primary Exploration on the Stylistics in the Study of Art History

  • 摘要: 风格学作为西方美术史上的重要概念,其基本的立论点在于“作品本位”研究法,在西方风格学研究中已经形成了从李格尔到沃尔夫林的完整体系。在中国其作为理论舶来品,在中国美术史研究中获得较大影响。因为实际操作与学术语言的问题,西方风格学并不能很好地解释中国美术作品,但对中国美术史研究具有借鉴意义。

     

    Abstract: As an important concept in western art history, stylistics has its basic view point lying in the research method of “work standard”. In the study of western stylistics, a complete system from Alois Riegl to Heinrich Wolfflin has been formed. As an imported theory in China, stylistics has played an important role in the study of Chinese art history. However, due to the problems of practical operation and academic language, western stylistics can not explain Chinese art works well, but it can be used for reference in the study of Chinese art history.

     

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