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洪胜利. 《方氏墨谱》与明代审美范式[J]. 安徽工业大学学报社会科学版, 2023, 40(3): 19-21, 39. DOI: 10.3969/j.issn.1671-9247.2023.03.004
引用本文: 洪胜利. 《方氏墨谱》与明代审美范式[J]. 安徽工业大学学报社会科学版, 2023, 40(3): 19-21, 39. DOI: 10.3969/j.issn.1671-9247.2023.03.004
HONG Shengli. Fang's Ink Manual and Aesthetic Paradigms in the Ming Dynasty[J]. Journal of Anhui University of Technology(Social Sciences), 2023, 40(3): 19-21, 39. DOI: 10.3969/j.issn.1671-9247.2023.03.004
Citation: HONG Shengli. Fang's Ink Manual and Aesthetic Paradigms in the Ming Dynasty[J]. Journal of Anhui University of Technology(Social Sciences), 2023, 40(3): 19-21, 39. DOI: 10.3969/j.issn.1671-9247.2023.03.004

《方氏墨谱》与明代审美范式

Fang's Ink Manual and Aesthetic Paradigms in the Ming Dynasty

  • 摘要: 《方氏墨谱》既是民间工艺与文人文化共同构建的视觉文本,也是徽派版画文人化的范本。墨谱在极具形式意味的视觉生产方面完成徽墨商业目的的转向,却在明代时代风尚与审美结构中,生成新的清雅近古的审美范式,并影响了徽派版画整体风格的转变。《方氏墨谱》强化了徽派版画与明代审美范式间的紧密联系,对其视觉生产在徽派版画发展过程中文化建构的重新定位及明代审美范式的审视极具启发意义。

     

    Abstract: Fang's Ink Manual serves as both a visual text co-constructed by folk craftsmanship and literati culture and a paradigm for the literalization of Huizhou woodblock prints. While shifting its focus from commercial purposes to a form-oriented visual production, the manual, during the Ming Dynasty, gave rise to a new aesthetic paradigm characterized by refined elegance and a taste for the antique. This paradigm not only influenced the overall stylistic transformation of Huizhou woodblock prints but also reinforced the close connection between Huizhou woodblock prints and the aesthetic paradigms of the Ming Dynasty. The study of Fang's Ink Manual provides valuable insights into the cultural construction of visual production in the development of Huizhou woodblock prints and a reevaluation of the aesthetic paradigms of the Ming Dynasty.

     

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