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周玲, 张瑰君. 《麦克白》的女性主义解读[J]. 安徽工业大学学报社会科学版, 2016, 33(2): 28-30.
引用本文: 周玲, 张瑰君. 《麦克白》的女性主义解读[J]. 安徽工业大学学报社会科学版, 2016, 33(2): 28-30.
ZHOU Ling, ZHANG Gui-jun. Interpretation to the Feminism in the Drama Macbeth[J]. Journal of Anhui University of Technology(Social Sciences), 2016, 33(2): 28-30.
Citation: ZHOU Ling, ZHANG Gui-jun. Interpretation to the Feminism in the Drama Macbeth[J]. Journal of Anhui University of Technology(Social Sciences), 2016, 33(2): 28-30.

《麦克白》的女性主义解读

Interpretation to the Feminism in the Drama Macbeth

  • 摘要: 莎士比亚在戏剧《麦克白》中构建的麦克白及白夫人角色时,隐去了各自应有的性别特征,展现的是生理性别和社会性别建构的双性气质,即“双性同体”。他们各自的性别身份并不由意志主体决定,而是在社会性别规范之内通过不断的性别操演的行动而生成的,反映了西方传统男权中心的社会里对于女性的歧视和偏见。

     

    Abstract: In the persona conception of Macbeth and Lady Macbeth in the drama Macbeth, Shakespeare gave the presentation to the dual temperament,i.e.androgyny, composed by the physical sex and social gender instead of the gender feature each of them should have. Each of their gender identity is not decided by the subject of willpower but is formed by the action that is concerned with the continous gender performance within the norm of social gender, which reflects the discrimination and prejudice to female in the malepower-centered society characteristics of western tradition.

     

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